As a Black, queer, and trans Nigerian artist living in the imperial core, my work interrogates the complex intersections of identity and systemic oppression, particularly the pervasive influences of antiblackness, queer necropolitics, and christofascism. Through digital media, sculpture, and textiles, I craft narratives that resonate with the experiences of marginalized survivors who are rendered invisible as they navigate these traumatizing systems. Through bold imagery and layered textures, I invite viewers to confront the complexities of our existence and to engage in a dialogue about the systemic violence we face.
Informed by Afrofuturism and transfeminism, my art emerges from a deep commitment to exploring the exploitation and abandonment of trauma victims, illustrating how these experiences shape our bodies and social positions. I believe in the power of community care and material support to help us navigate our pain while embracing the transformative, non-linear journey of healing—one that exists outside colonial boundaries. Yet, I grapple with the reality that the idealized notion of a healed self often feels unattainable and steeped in colonial narratives, especially for those of us with multiple marginalized identities.
My woven tapestries intertwine oral narratives and digital constructions, illuminating the complex passage from mere survival to experiencing genuine love and care for oneself. I recognize that healing is not a linear path; my work reflects the uncertainty inherent in our journeys. When words fall short, my art speaks volumes, showcasing movement through both the physical and spiritual realms. Each piece captures my experience as a Black non-binary lesbian survivor, embodying the challenges of birth, childhood, and the euphoric possibilities of life beyond trauma.
Using bright colors, textiles, abstract patterns, and child-like whimsy, I transform personal experiences into a visual language that communicates the multifaceted nature of coming back to self. Rooted in personal and collective histories, my art serves as a reminder that to see and be seen is essential for imagining a future of radical change. In a culture that often tries to keep us apart, I seek to forge the bonds necessary for thriving in an antiblack, antisurvivor, and apathetic society while we build a better one.
